The Australian Ballet’s Onegin

The Australian Ballet’s Onegin

Lucinda Dunn and Robert Curran. Photography Georges Antoni

Lucinda Dunn and Robert Curran. Photography Georges Antoni


For immediate release Thursday 9 February 2012

Onegin: Desire V Duty

A tragic Russian drama of deadly duels and unrequited love

The audience favourite Onegin makes a triumphant return to the stage in 2012, interpreted by a new     generation of stars. Since its 1976 debut, this tragic love story has been one of The Australian Ballet’s most popular ballets. This quintessentially Russian tale of thwarted passion and its dire consequences is set to captivate audiences all over     again.

 opens in Sydney on 1 May, and then will travel to Melbourne on 23 June.

Like all good Russian heroines, Tatiana endures heartbreak and broken dreams at the hands of a misguided, romantic cad. Created by John Cranko
for Stuttgart Ballet in 1965, Onegin is based upon Russian literary giant Alexander Pushkin’s 1837 verse novel Eugene Onegin. This     cautionary tale of the folly of young hearts still resonates with audiences 170 years after its publication.

The artistic director of The Australian Ballet David McAllister calls Onegin one of the greatest ballets of the 20th-century.

“We couldn’t go past Onegin in our 50th year. This production is an absolute favourite amongst     dancers, as it’s hugely challenging with its mix of beautiful dancing and intense emotional acting,” said McAllister.

“Having danced Lensky in my career, I’m looking forward to seeing how the next generation of dancers tackle these career-making roles.”

Romantic lead and much-loved former Principal Artist Steven Heathcote returns to The Australian Ballet studios next month to work with the     dancers on bringing the drama of Onegin to life. During an illustrious stage career spanning 25 years, Heathcote performed the role of Onegin many times.

Almost 50 years after its creation, Onegin     remains hugely popular with ballet fans worldwide, featuring in the repertoire of 20 companies around the globe.
The principal roles of Tatiana and Onegin are on many dancers’ bucket lists as two of the great roles in the ballet canon. Two passionate scenes linger with audiences long after Onegin finishes: the famous “mirror” pas de deux and the “letter” pas de deux of the final act.

The opulent sets and costumes bring 1820s St. Petersburg to life. Jürgen Rose’s sumptuous designs —from Tatiana’s coveted red ball dress to the summery opening palette that cools as tragedy unfolds — evoke memories of a bygone era.

Remounting Onegin is one of the most labour-intensive processes of the 2012 season, with     countless costumes being refurbished and set cloths being sent to Australia from the Royal Swedish Ballet.

The story

Onegin, a bored aristocrat from St Petersburg, visits the provinces and enchants the naive Tatiana. She sends him an impassioned letter, but he rejects her, dallies with his own best friend’s girlfriend, and kills him in the ensuing duel. Years later, the troubled Onegin again encounters     Tatiana, now married to a prince, and is bewitched by her. Through a series of decisions that irreversibly change the course of their lives, Onegin and Tatiana find themselves in a
reversal of roles by the climactic end of Act III.

This captivating story, which took Pushkin seven
years to write, unfolds on stage as Onegin and
Tatiana explore life’s possibilities and the ramifications of judgements made in youthful haste. From royal balls and boudoirs to deadly duels, Onegin brims with passion, drama and suspense.

Celebrating 50 years of The Australian Ballet

The Australian Ballet’s 50th anniversary is a milestone all Australians can be proud of.
Presenting up to 180 performances and over 500 education events each year, the company is one of the world’s most prolific and progressive arts     organisations. In 2012, The Australian Ballet will reach many corners of Australia through extensive national and regional touring, and by visiting more schools nationwide with the popular Out There program.


ONEGIN (1965)
Choreography John Cranko
Music Piotr Ilyich Tchaikovsky
Arranged and orchestrated by Kurt-Heinz Stolze
Design Jürgen Rose
Lighting Francis Croese


1 – 21 May (22 performances)
Opera Theatre, Sydney Opera House
with Australian Opera and Ballet Orchestra

23 June – 4 July (13 performances)
the Arts Centre, State Theatre
with Orchestra Victoria

Online via The Australian Ballet’s website
 or 1300 369 741


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